It's infinitely true

Why do you steal the covers, sleep diagonally, jump, twitch, thrash about? You stretch your arms out to hold all four pillows, wrap yourself in a cocoon of doona, selfish little bug! Your limbs are spread like a starfish, you kick, turn, mumble, breathe like a freight train? I had strange dreams, I say, I had funny dreams, I say, I had stressed dreams, I say. Sometimes I wake up bemused, confused, amused, other times my eyelids fling open and I am paralysed with fear, wanting to turn the clock back 15 years so I could smell Oil of Olay moisturiser and feel cool hands smooth back my hair.

I scoffed at the overpriced 3am notebook, for the recording of thoughts and dreams had in the dead of the night. But now I rake my memory for dreams from past nights and I can't, they are leaves that have felt the brunt of the evening rain and are now sodden, mulched into the grass, unidentifiable from one another. We should have raked the lawn.

The buses used to line up at the curb, next to the gymnasium that had such a dusty floor. They were really lined up in some kind of pecking order based on location. With that said, the pack of sweaty and wild-eyed individuals bound for the city centre waited in the scorching sun, no relief. The last bus had a sad stringy gum tree and fence posts that offered leaning opporunities, so maybe it was worthwhile, living where I did. Arguable, though, given the number of times we watched Wizz Fizz being snorted up nasal cavities, arse cheeks being pressed against the back window, fruit and stale sandwiches being thrown back and forth, grubby fingers pressing the bell with no intentions of getting off the bus, and the driver hitching up his shorts as he strode down the aisle to where the culprits sat, threatening to throw us all off on the side of the freeway.


For three months a year, when the cold and grey winter persisted, the slick of green grass that ran parallel to the bus stop became perilous. When the rain bucketed down, the grass became a stage, a slippery slope of doom that saw many scurry too fast and fall to social injury in efforts not to miss the bus. In the navy jumpers that reeked of wet dog when it rained, we piled aboard. One headphone for each, we would share Discmans, in efforts to block out the surrounds.


You were in my dream, I was playing in a band. I know you’re horrified, because my complete lack of rhythm, tone deafness and lack of social etiquette used to make you cringe on a regular basis. Why were we so compelled to sit on the concrete, the cold dirty ground? We were drawn to the curbs, stairs, patches of grass, benches, fences, window ledges. Then we grew up, and now we stand and wait in uncomfortable shoes.

3 days

The man named Thomas who reads his newspaper after a day of saving lives had explained the notions of normal, which you repeated back to me, making overexaggerated gestures to try and mimic his diagrams drawn in puddles of beer.



I imagine a comparitive line graph, red and blue squiggles dancing around each other. Normal is at a lower level for addicts but easier to reattain when the sought-after substance is clutched between two fingers.



My main questions are these: What do you do when you're waiting for the train, and there are exactly 7 minutes until it is due to pull into the station? Do you admire what's in the vending machine? Do you watch the other commuters examine their Metcards, read their newspapers, pace back and forth in their polyester suits? Do you count the number of butts stamped into the bitumen? Doesn't time past so slowly, wind lashing against your face? What do you do, with 3 minutes to go, except draw in your breaths harder and faster, smiling if the timing is perfect?



What do you do when you get home from work? Do you take off your coat, hang it up, take off your shoes, line them up, turn the kettle on - and then what? Sit quietly on your lounge setting and drink your tea, watching the 6pm news? Feel the warmth ebb back through your limbs as you prepare for your evening to be spent indoors, without five minutes of freezing interjected at intervals you determine?



What do you do when you finish your dinner, full to bursting? You recline, digest, then what do you do? What comes between dinner and dessert, that you can't have anymore? That course is missing, and it's the one you're craving the most, regardless as to whether the pit of hunger in your belly is filled to the brim.



What do you do, whilst you talk on the phone, except play with the fire inbetween your fingers, over and over and over? What do you do? Do you pace back and forth, wearing marks into the cream carpet? Do you fold the basket of laundry that's been at the end of your bed for a week, is that what you're supposed to do? Do you sit idly, cross-legged, as numbness sets into your feet?


What am I supposed to do, as I scrape the coffee foam back from the sides my glass, as I stir the ice in my drink with my straw, as I bite my nails as the ball of anxiety in my stomach grows, as I ingest chapter after chapter, as I sit in a crowded room with too many other minds humming, as I sit outside in the sun, as I sit outside in the cold, as I sit outside in the rain? What am I supposed to do?

Synthetic

1. Baby

Tiny little rosebud

With sweet smelling hair

A whole world exists for you

2. Sundays

White tiles and cream carpets

Dark haired girls

Soul food on mismatched plates

3. Swot-Vac

Split ends and chewed nails

Frayed flannelette with buttons missing

Endless winter days

Is that a HB pencil?

Don’t know quite where I am, have an idea of what I’m supposed to be doing but all of the four options seem like they could be correct (unconditioned stimulus). I eat the perfectly ripe yellow banana, even though the smell of banana this early in the morning makes my stomach heave. But it’s brain food, and it’s sad you dropped yours on the floor (Bobo doll experiment). I had stressed dreams, thrashing around like a malfunctioning egg beater and waking up with my mind racing. We’d gone underwear shopping and she’d told me I ought to lose some weight (fixation at the anal stage).

The sun was trying to beat away the clouds, freezing wind whipping at the tops of uncovered feet. He’d scowled in disgust at the nicotine clouds blown in a perfect stream from your lips, but really, why on earth was he compelled to ask you if you wanted to join a gym? (fovea) The days blend together and the battle with the umbrella takes precedence (Mrs. Boles) when superstition dominates (Stanley). The man with the kind face gave you two marshmallows (Cesario); the sour-lipped woman in the op shop begrudgingly docked $3.50 from the final price (assimilation) and the passerby with an expression full of pity and horror clicked their tongue at the figures huddled in front of the window, howling and shrieking over the wind (le subjonctif).

Listen to the sound of hundreds of anxious voices bouncing off the concrete, finding their way into the cobwebbed corners that are neglected in the absence of the Spring Racing Carnival (is Sebastian really dead?). I walked through a puddle and now my socks are wet, this takes priority over my concern of not understanding Orsino’s motives in marrying Olivia. It was like an airport lounge, and as the distressed buzz dimmed (les pronouns relatif) I was horrified to realise the horseshoes printed on the carpet were facing the wrong way. How were they going to catch any luck? How were they going to catch my answers as they spiraled out of the ends of my frizzy hair, wet with the drizzle? (Cattell’s 16 Factor Personality Test). I closed my eyes and imagined Space Invaders, ricocheting past and exploding where the carpet met the tiles. We were numbers. At least English is our first language, I remember saying (reliability). At least we’re not left-handed, so everything we write doesn’t become smudged as our hands race across the page (validity). At least it’s only two hours, not three (cross-sectional). Why were there so many clocks? It would be so silent, surely the ticking would drive us all mad? (longitudinal) As if to support my theory that the desks should be facing the other way, we can see out onto the racecourse. I can hear the crack of a starting gun (factor analysis), the snap of gates being pulled back (Darwin’s theory of evolution) and the thunder of dozens of hooves churning up the soil (separation anxiety). I hear the nasal commentary of the race, which fascinated me at a young age (the id). How do they speak so fast, Mum? (positive reinforcement).

I remember where I am, and what I should be doing. Those who are absent are declared to be so via invasive red sheets of paper, with cruel letters stamped across the front (rationalism). The person sitting next to me is feeling as though a 25% chance isn’t enough to see him through (Descartes). He oozes dismay as the 10 minutes of reading time tick past on the labelled clocks (negative punishment). It’s contagious! (extinction).

I spot his identical twin on the other side of me. I read a question about noses (I think it’s functionalism) and become fixated trying to spot the differences in their appearances. Are thy really related? What are the chances of identical twins doing the same subject, in the same course, at the same university? Wouldn’t they be tired of sharing space, sharing attention, sharing faces? (synapses). I can’t turn my head fast enough to spot them. One is potentially more red-headed than the other, they have slightly different haircuts, perhaps in an attempt to seize individualism by the horns and defy their shared DNA (projective tests). I feel sick from moving my eyes so quickly, I taste the banana that was supposed to help me (taste aversion therapy). And then it begins. And while I’m choosing A, B, C or D, I can see feather-adorned hats, and see the light at the end of the tunnel, even if it is flickering slightly (You did not just compare a tunnel to a birth canal).

Don’t the voices sound different, without the anxiety laced through them, though they still bounce off the concrete and encourage us to make a hasty exit?

I wrote it in June 2008

Sometimes I wake up and forget everyone else speaks French. My dreams are a confused garble of Romanian, French and English. I'm somewhat of an awe-inducing artefact in my French classes. The woman in charge at Assofac, the organisation who runs the programmes, is a heinous bitch with cankles and was adamant that because I spoke no French (surely I spoke some French) I wasn't enthused about learning the language. So she lumped me in a class with 10 other people who already spoke fluent French and were specialising their vocabulary in the direction of environmental science. I learnt little in the three or four lessons I was made to endure except that my teacher's name was Delphine, she had a pustule on her toe and provided me with living proof as to why no one should smoke at 40. So after it finally clicked that she really doesn't speak French, she wasn't lying, I was put in a class slightly more to my level. However once again they don't believe that I speak no French, and I am subject to a mandatory presentation about oneself within 30 seconds of being ushered in the door - initially they thought I was 28 and had two children but after we got that straightened out, everybody reaffirmed their opinion about my lack of French speaking abilities. I'm made to read aloud, write on the board, write sentences and conjugate imperative verbs - I decided that after the three hours of urine-soaked fear that was the first class, it would be a really clever idea to purchase a dictionary. Outside the classroom, the language barrier is easy to navigate - though I've learnt that I need to stop laughing when I sense the opening for it in conversation, as it gives people the illusion that I understand and prompts them to start nattering at me in French and then waiting for my response. I've become slightly expert at interpreting what people are saying to me given the situation I'm in, and change my answers according to pure whim, swapping between 'oui, merci' or 'non, merci' (creative, no?). This is a mixed luck draw - I never know what I'm going to get. Last week it got me my purchase gift wrapped, definitely a positive, whereas when I responded 'non, merci' when the salesman at Galleries Lafayette asked me for my postcode, the reaction was less favourable. Needless to say, it keeps life interesting.

Incapable of thinking

1. The first thing to go is the ability to think creatively or logically. If I am engaged in a task and there is a possible way of completing in a faster, more simple or better way, I will manage to ignore the flashing warning signals and keep trudging along the beaten track. Spontaneous questions that involve memory recall are destined to fail. Vocabulary shrivels down to the basics, the ability to pronounce things clearly or articulate properly disappears. Conversation other than the necessities becomes too difficult. Along with the ability to think outside the square, being exposed to stimulating material is overwhelming and daunting.

2. Next to vanish is the attention span. Even if I believe I am concentrating, staring at words on a page, my mind has exited the room and is dancing in the puddles outside, thinking about something irrelevant, busy twisting itself into overanalysis or concocting ideas for dinner. I should take this as a cue for what I so desperately need but I never do. I fidget in my seat, flicker back and forth between what I should be doing and what I shouldn't be doing. I read pages and can't remember the subject matter, much less any type of evaluation of material. Basic things become very difficult. I revert back to a page several times just to copy out a sentence accurately. I find myself using wrong tenses, bad grammar, stubby fingers struggling with hitting the right key on the keyboard (and before I wrote 'right' I wrote 'write'). Life is becoming too hard but because I can't think beyond what I am doing at that exact moment, it is destined to remain unchanged for the moment. It's getting worse.

3. The slippery slope of deterioration is steepest when this phase dawns upon me. As I struggle with my brain thumping against the inside of my skull, my hands shaking as I pick up a pen, having to think long and hard about how to construct the sentence 'I am in the room in the library with the green reading lights', I am angry. My whole body is tensed with rage. My eyes are black darts, shooting looks of disdain and contempt at anyone who makes a noise. Why am I so angry? Because the girl sitting opposite me is wearing bangles which are hitting the desk as she types. And I will probably kill her, because I am an irrational fiery ball of crankiness, who hates everything in her direct vicinity. Including the way the lecturer is pronouncing 'transport' and the crackle that it is producing in the left ear of my headphones. I am bubbling and spitting, a cauldron of discontent, of unpleasantness, of stewing distress and fury.

4. Stop. What is that? Through the blindfold that has been plastered over my eyes, enabling me to only see red spots of anger, I recognise something. An innate reaction. And whilst I am angry about it, there is rationale starting to peak through, struggling against the dark shutters but nonetheless letting in a persistant stream of light that is enabling me to focus clearly for half a second. The person sitting beside me is eating. The smells emitted from the spicy hot bowl of nourishing goodness they have in front of them stir something within me which I had obviously tried to repress for too long. My stomach growls. Not just growls, but rumbles and roars like a caged animal who has been injected with a shot of adrenalin. It dawns on me very suddenly, very clearly. I am hungry. Not just hungry, but starved, possibly going to go blind with famine and desperately need something to eat, right now, this very second.

I breathe in food, inhale it in one gulp. And then happiness and tranquillity reign supreme (unless someone tries to pry it from my grasp) and I can live again. The demons have settled, until dinner time. Or until we pool our change and charge towards the vending machine, needs satisfied by king-sized chocolate. But, it's like you told me, the advice I will treasure and ignore its untruth. Nothing is bad for you when you are doing something good.

Missing

"On the warm nights when they wouldn’t move from the back patio for hours except to fill up their glass, they would crave ice cream or something gluttonous, and walk calmly to where the ocean met the land. They wore thongs, they didn’t carry water in their bottles so ended up crouched, mouths poised open, underneath a garden tap; they ate their Magnums and sat quietly on the bench of life, contemplating their days that had usually been filled with not-very-much. Sometimes they had morbid conversations, other times they had meaningful ones, a lot of the time they cackled underneath the cloudy night. They walked home again and slept soundly underneath the star shaped lights, barely stirring when the freight train rushed past."

So what did Act III mean?

In the dream world, she would open up the desk drawer to rows and rows of plane tickets, lined up neatly. None of them have dates on them, she can use them as she pleases. None of them are window seats, she sits two rows from the exit. She'll never sit next to a baby, a person intent on conversation while her eyes are heavy with sleep or someone with repugnant body odour. 1 in 6 tickets will reward her with an upgrade to business class, and there's no disclaimer either.

In the dream world, she would have a typewriter that would send inspiration flying through her fingertips, not like the clunky whirring of a computer where the letter 'e' sticks longer than it should, turning 'the' into 'thee' and sending her brow plummeting to the middle of her face with discern. She would never have to think about the number of syllables per line, or how overly extravagantly flowery her metaphors were. Sometimes she would write with a sharpened lead pencil on a wooden desk that had been scrubbed back and painted.

In the dream world, there is money for fresh flowers, she never has to run for the bus, her room is filled with books that have been chosen with care for her by someone else, she retains information like a thirsty sponge, her conjugations are perfect and her black clothes never fade out to grey.

'But horses are my friends'

The fear of the unknown grabs the blonde hairs that frame her face and holds them up high, tickling her closed eyelids that are twitching with dreams. The fear forces her eyes open, as she cranes to see the little creatures that are trying to torment her in the black night. She can never see them when she’s awake like this, so she doesn’t have a choice but to soothe herself back to sleep, trying to ignore the thoughts that are careering around and around inside her mind, a merry-go-round that is spinning faster and faster. But the normally joyous faces of the horses are twisted and warped, they bare their gums in an angry snarl at her, spitting saliva and thrashing against the worn leather reins that she clutches with sweaty palms.

Wrapped in bed accessories and pillows that bring initial comfort, she slips back into surface sleep, her heart tight with a web of fear that she doesn’t let unravel. In her dream the sticky spider web clings to her face and she can’t get it off, though she scratches mightily, nails that are bitten short leaving red marks on her cheeks. She’s no longer warmed by blankets that Mama had smoothed back carefully in the morning light; instead they are heavy weights that crush her lungs, the fear of the unknown bringing her back to the surface time and time again, wrenching gasps of air with panicked shudders.

There’s no clock in the room because the fiery gremlins feed off the ticking that it makes, and the black air becomes too thick when she can count the seconds in the night. This time she’s back on the merry-go-round, but the ground surrounding it is red dust, and the tinkling music that the horses are dancing to disappears into the empty landscape. Their faces relax, calm and at peace with the circles they gallop in. The silhouette on the horizon makes her uneasy but she is comfortable in the saddle now that the horses no longer snarl and snap at her touch.

Then the figure comes too close, and anxiety spreads like bloodstains on white fabric. ‘Go away,’ she wants to say, urging the horse to go faster and faster, to disappear in a thunderous cloud of dust. But the merry-go-round is slowing, finishing its giddy cycle, and the music is fading, so that all she can hear is the wind carrying the dust against the red sun. ‘Go away!’ she tries to shout.

Then she wakes up again, feeling the panic wash away as she sees the sunlight creep through the crack in the curtains. Little creatures of the night, spawn of the unknown, leave her be.